TRAINING   SINGLE PROGRAM

Unique program


The Training Program offers a theoretical, vivenciale and methodological teaching perfected in 50 years of studies.
 
The SRT IBF-CIMEB Biodanza Schools follow the Single World Program, this implies the faculty to facilitate Biodanza all over the world.
 
Stage n ° 1: Definition and Theoretical Model of Biodanza
 
- Origins of Biodanza.
- Primordial meaning of the dance.
- Biodanza in the historical and anthropological context of dance.
- Definition of Biodanza.
- Origin of the theoretical model of Biodanza.
- Meaning of the notion of a model in the scientific field.
- Theoretical model of Biodanza: explanation of every concept that is part of this.
 
Stage n ° 2: Vital Unconscious and Biocentric Principle
- Biocentric principle: a new paradigm for the human sciences.
- Life as a cosmic imperative.
- Anti-life aspects of the four great dominant cultures.
- Vital unconscious: concept.
- Vital unconscious: antecedents.
- The vital unconscious and the endogenous mood.
- Extracts of the Unconscious: Personal unconscious, collective unconscious, vital unconscious. The respective methods of access.
 
Stage n ° 3: la Vivencia
- Concept of vivencia.
- The vivencia as a method of access to Identity.
- Characteristics of vivencia.
- Vivencia, emotion and feeling.
- Protovivencia.
- The Five Lines of Vivencia.
- Toward an epistemology of vivencia.
 
Stage n ° 4: Biological Aspects of Biodanza
- Theories on the origin of the universe.
- Theories on the origin of life.
- Universal principles of living beings: biological filiation, replication, self-organization, reproductive invariance, teleonomy, selective evolution, differentiation, memory, self-regulation.
 
Stage n ° 5: Physiological Aspects of Biodanza
- Articulation of the neo-encephalous and of the archaeo-brain.
- Central nervous system.
- Concept of limbic-hypothalamic integrator-adaptive system.
- Autonomous peripheral nervous system (sympathetic and parasympathetic).
- Effects of Biodanza on the neurovegetative system.
- Integration between the nervous system, the endocrine system and the immune system.
 
Stage n ° 6: Psychological Aspects of Biodanza
- Psychological antecedents of Biodanza: S. Freud, C.G. Jung, W. Reich, J.Lacan, C. Rogers, J. Hillman.
- Theory of instincts.
- Biodanza: the redemption of instincts.
- Emotion.
- Definition, classification, physiology, and pathology of emotions.
- Characteristics of feelings.
 
Stage n ° 7: Identity and Integration
- Identity concept according to Plato, M. Heidegger, J. Piaget, E.H. Erikson, S. Fischer and S.E. Cleveland, C.G. Jung, E. Pichon-Riviere, M. Buber, J. Lacan, R. Spitz, M. Merleau-Ponty.
- Identity concept according to Rolando Toro Araneda.
- The "Dynamic Scheme of Identity" by Rolando Toro Araneda.
- Identity and music.
- Identity and constraint.
- Integration and dissociation concepts. Body dissociations and their psychic correlates.
- Integration through Biodanza.
 
Stage n ° 8: Trance and Regression
- Concept of trance according to Rolando Toro Araneda.
- Integral trance and dissociative trance.
- Modified states of consciousness.
- Classification of different types of trance.
- Regression concept: return to origin; organic renewal and restoring.
- Integrative regression and dissociative regression.
- Biodanza exercises for the five levels of trance.
 
Stage n ° 9: Mythical and Philosophical Biodanza Antecedents
- Theory of the collective Unconscious and of the archetypes of C.G. Jung.
- Myths and archetypes in Biodanza: Demeter and the Eleusinian mysteries, Dionysus and Orpheus.
- The philosophical antecedents of Biodanza: Heraclitus, Pythagoras and Christ.
 
Stage n ° 10: Contact and Carezza
- Concept of contact, connection and caress.
- Scientific foundations of contact therapies.
- Effects of caresses on the human being.
- The importance of contact in the development of sexuality and affectivity.
- The role of contact in education and therapy.
 
Stage n ° 11: The Human Movement
- Introductory considerations on the "Systemic model of human movement" by Rolando Toro Araneda.
- The "Systemic Model of Human Movement" by Rolando Toro Araneda.
- Movement categories.
- Voluntary and involuntary movements.
- The movement in Biodanza. Natural models of movement: walking, embracing, archetypal gestures.
- Movement deceleration: "slow motion" movement.
- Posture, gesture, dance and existential expression.
 
Stage n ° 12: Vitality
- Concept of vitality and joy of life.
- Vitality indexes.
- Self-regulation.
- Integrated vision of vitality.
 
Stage n ° 13: Sexuality
- Concept of sexuality.
- The body, source of pleasure.
- The function of the orgasm.
- Undifferentiated and differentiated eroticism.
- Repression of sexuality: Eros and Tanatos (S.Freud and W. Reich).
- Line of sexual vivencia: pathologies and prescriptions.
- Stages of sexual evolution in adults.
 
Stage n ° 14: Creativity
- Creativity concept.
- Existential creativity.
- Artistic creativity.
- Repression of creativity
- Development of the creative function.
- Creativity starting from vivencia.
 
Stage n ° 15: Affectivity
- Concept of affectivity.
- Structural components of affectivity.
- Pathology of affectivity.
- Affective indices.
- Love, friendship and empathy.
- Ethics: an absolute human.
- Affectivity in therapy and in education.
- Affective intelligence.
 
Stage n ° 16: Transcendence
- Transcendence concept according to Rolando Toro Araneda. Protovivencia of transcendence. Mechanisms of action of the Transcendence Line. The search for transcendence.
- Modified states of consciousness induced in Biodanza: states of trance and regression to the primordial; states of supreme consciousness (ecstasy, clogs and enlightenment).
- Access to the wonderful.
- The supreme experience.
 
Stage n ° 17: Biodanza Action Mechanisms
- The six transformation factors used in Biodanza: the power of music, the integral movement, the induction of vivencia, the encounter, the caress, the expansion of consciousness. Integration of the six factors into a simultaneous action.
- Biodanza action through the Five lines of vivencia.
 
Stage n ° 18: Applications and extensions of Biodanza
- Differences between applications and extensions of Biodanza.
- Overview of the main applications and extensions of Biodanza.
- Main applications: Clinical Biodanza, Biocentric education, Biocentric system for organizations, Biodanza for couples, Biodanza for the elderly.
- Main extensions: Minotauro Project, the Tree of desires, Aquatic biodiversity, Biodanza and clay, Identity and the four elements of nature, Argonaut mission, Biodanza and massage, Biodanza and contact education, Biodanza and neo-shamanism, the Circle of the archetypes, the Presentiment of the angel.
 
Stage n ° 19: Biodanza Ars Magna
- Biodanza and psychosomatic illnesses.
- Foundations of theories on contact.
- Classification framework for sports disciplines and therapies, structured by Rolando Toro Araneda.
 
Stage n ° 20: Biodanza and Social Action
 - Biodanza and social action.
 - Analysis of the pathology of our civilization.
 - Dissociative culture and biocentric culture.
 - Authors whose contributions to the biocentric culture have been essential.
 
Stage n ° 21: Music in Biodanza
- Antecedents.
- Basic musical parameters: rhythm, melody, harmony and tonality.
- Levels of musical experience: organic music and inorganic music.
- Biomusica: effects of music and dance on organs.
- Brief history of musical genres.
- Contributions by Alfred Tomatis, Don Campbell and Jehudi Menuhin.
 
Stage n ° 22: Methodology I - Musical Semantics
- Towards a musical semantics. The contributions of Michel Imberty.
- The semantic analysis of music in Biodanza.
- Selection criteria for music in Biodanza.
 
Stage n ° 23: Methodology II - Biodanza session (first part)
- Biodanza session: anthropological meaning, objectives, levels, public demonstrations and open sessions (Biodanza presentations), duration, structure (theoretical part and vivencial part).
- Biodanza exercises: physiological effects, basic exercises and specific exercises, classification, delivery, music.
- Structuring of the vivencial part: examples of exercises of integration, of affective communication and of communion, and their location in the structure of vivencia. Examples of specific exercises for the expression of genetic potentials, the transition from one exercise to another, final activation.
 
Stage n ° 24: Methodology III - Biodanza session (second part)
- Initiation session (for beginners).
- Examples of initiation session structure.
- Sessions of deepening and radicalization of the vivencia.
- Intensity of the vivencia.
- Examples of vivencia structure of deepening and radicalization in the Five lines of vivencia: Vitality, Sexuality, Creativity, Affectivity and Transcendence.
- Difficulties and methodological errors.
- Code to reach a discriminating clarity that allows to distinguish the Biodanza System from other human development proposals.
 
Stage n ° 25: IV methodology - The weekly course and the Biodanza internship
- The weekly Biodanza course: levels, the initiation course, duration.
- Program of a weekly Biodanza course: global objectives, stabilization of evolutionary changes, specific objectives, theoretical explanation, examples of theoretical topics for the planning of a weekly course, sequence of exercises and sessions.
- Program of an initiation course: theoretical part, vivencial part, examples of integration exercises.
- Program of a course of deepening and radicalization of the vivencia: theoretical part, part vivencial, examples of specific exercises of the Five lines of vivencia.
- The Biodanza stage: levels, duration, structure
 
Stage n ° 26: Methodology V - The Biodanza Group
- The Biodanza group, rebirth matrix: the Biodanza group; functions.
- Integration of the Biodanza group: first moments, organic integration on an emotional basis, dynamics of the Biodanza group, a sociometric diagram, working on the healthy part, participation in the weekly group and overcoming of the defense mechanisms, function of the theoretical part in the integration of the group, "Verbal sharing of the vivencia" (Relato de vivencia), individual interview.
- Participation of the Biodanza operator at the sessions he conducts: the operator's attitude.
- Relationship between the group micro-world and the social macro-world.
- Experimental and phenomenological aspects of Biodanza.
 
Stage n ° 27: Methodology VI - Evaluation criteria of the evolutionary process in Biodanza
- The categories of movement: agility, intentional voluntary control, coordination, elasticity; balance, expressiveness, flexibility, fluidity, lightness, power, endurance, rhythm, synergy.
- Other motor aspects related to specific Biodanza exercises: extension, eutonia, vital impetus, oscillation, posture, sensitivity of movement, sensuality, muscular tone.
- Ability to communicate affective and contact in feed-back (reciprocity): ability to contact, feedback (reciprocity), tuning, mutual initiative.
- Regression capacity.
- Boards for the evaluation of the evolutionary process in Biodanza: how to apply and use the cards.
 
Stage n ° 28: Methodology VII - Deepening of the Official List of Exercises, Deliveries and Music of Biodanza (1st part)
- In-depth knowledge of the official list of exercises, music and deliveries.
- Orthodoxy and systemic coherence.
- Intellectual property of Rolando Toro Araneda.
 
Stage n ° 29: Complementary Methodology - Deepening of the Official List of Biodanza Exercises, Deliveries and Music (2nd part)
- Need for an official list of exercises, music and deliveries.
- Orthodoxy and systemic coherence.
- Intellectual property of Rolando Toro Araneda.
 
Stage n ° 30: Ethics and Deontology
 
- Ethics in Biodanza.
- Regulatory guidance for the Biodanza Operator profession.
 
Stage n ° 31: Biodanza and Neurosciences
- The discoveries of Neurosciences and the practice of Biodanza
 
Stage n ° 32: Minotauro Project I
- Knowledge of the myth of the Minotaur and of the Tree of Fears created by Rolando Toro
 
- Vivencias with personal and / or collective challenges to find the courage to overcome their fears
 
Stage n ° 33: Minotaur II Project
- Knowledge of the myth of the Minotaur and of the Tree of Fears created by Rolando Toro
 
- Vivencias with personal and / or collective challenges to find the courage to overcome their fears
 
Stage n ° 34: The Tree of Desires
- Knowledge of the Tree of Wishes created by Rolando Toro
 
- Vivencias with personal and / or collective challenges
 
Stage n ° 35: Conferences I (theoretical vivenciali)
- 6 conferences on related topics to deepen the theory of Biodanza and vivencias
 
Stage n ° 36: Conferences II (theoretical vivenciali)
- 6 conferences on related topics to deepen the theory of Biodanza and vivencias
 
Thematic Conferences:
 
Biodanza in the historical and anthropological context of the Dance; Biocentric education; History of Music, "Chaos and Order", Existential Rehabilitation, Deontological Code of Biodanza Teachers, Affective Intelligence.
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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